.
Encore Theater was a 1946 Summer replacement series, sponsored by Schenley Labs, Inc. All shows had a medical theme, some concerned medical research, some covered personal stories of people in the medical field but all based on true stories. Schenley Labs, Inc. was the sponsor for the series. The shows aired Tuesday evenings from 9:30 to 10:00 PM over CBS affiliated stations. Members of the cast were typically well-known radio or screen actors, such as Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young or Lionel Barrymore. Producer for series was Bill Lawrence, who also directed the series. The announcer was Frank Graham. Music was by Leith Stevens. Scripts were written and adapted by Jean Holloway, Lloyd C. Douglas, Sidney Kingsley and Milton Geiger.
Twelve of the thirteen scripts were adapted by Jean Holloway. The 1946 Summer series ended with the August 27th show, replaced by "Cresta Blanca Hollywood Players" (possibly known as "The Hollywood Players Company". There was a second Encore Theater Summer series in 1949, however there is little information on it. It aired on Sundays. Eight shows are known to be in circulation. Known air dates are April 17, April 24, May 8 and June 5.
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Saturday, October 17, 2009
Thursday, October 15, 2009
Roy Acuff Show, The
.
Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the King of Country Music, Acuff is often credited with moving the genre from its early string band and "hoedown" format to the star singer-based format that helped make it internationally successful.
Acuff began his music career in the 1930s, and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff co-founded the first major Nashville-based country music publishing company— Acuff-Rose Music— which signed acts such as Hank Williams, Roy Orbison, and The Everly Brothers. In 1962, Acuff became the first living person to be inducted into the Country Music Hall of Fame.
Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the King of Country Music, Acuff is often credited with moving the genre from its early string band and "hoedown" format to the star singer-based format that helped make it internationally successful.
Acuff began his music career in the 1930s, and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff co-founded the first major Nashville-based country music publishing company— Acuff-Rose Music— which signed acts such as Hank Williams, Roy Orbison, and The Everly Brothers. In 1962, Acuff became the first living person to be inducted into the Country Music Hall of Fame.
Sunday, October 11, 2009
Great Gildersleeve, The
.
The Great Gildersleeve (1941-1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton P. Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (10/22/40).
He soon became so popular that Kraft Foods - looking primarily to promote its Parkay margarine spread - sponsored a new series with Peary's Gildersleeve as the central, slightly softened, and slightly befuddled focus of a lively new family.
The Great Gildersleeve (1941-1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton P. Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (10/22/40).
He soon became so popular that Kraft Foods - looking primarily to promote its Parkay margarine spread - sponsored a new series with Peary's Gildersleeve as the central, slightly softened, and slightly befuddled focus of a lively new family.
Saturday, October 10, 2009
Carter Brown Mystery Hour (AU)
.
Australian paperback writer Alan G. Yates poured from his typewriter between 1953-68 under the name Carter Brown about 150 crime stories, with sales in the tens, perhaps hundreds of millions of copies. His last books appeared in the early 1980's. All the stories were set in the Unites States, but he never became there so well-known as in Europe. Yates's novels had light atmosphere and his heroes could deliver more wise-guy remarks than Robert B. Parker's famous private detective Spencer.
Alan Geoffrey Yates was born in London and educated at schools in Essex. From 1942 to 1946 he served in the Royal Navy as a lieutenant. After the war he worked as a sound recordist at Gaumont-British Films for two years and moved to Australia in 1948. In the same year he became an Australian citizen. Before devoting himself entirely to writing from 1953, Yates was a salesman in Sydney and a public relations staff member at Quatas Empire Airways. His early books were intended only for Australian audience, but when Carter Brown series was picked up by the New American Library, he found readers also in the United States.
The Brown books were fast paced, they had humor and action, and several corpses, although not much violence. Women are gorgeous, and the story is usually set among the rich and glamorous. A typical Carter Brown story did not take itself too seriously - it was a mixture of sex, action, and humor. Yates's female hero was the curvaceous private detective Mavis Seidlitz, whose feminine weapons are more developed than her mental capacities. Petri Liukkonen (author)
The Carter Brown Mystery Hour was based on his best selling novels and are introduced by Carter Brown himself.
Australian paperback writer Alan G. Yates poured from his typewriter between 1953-68 under the name Carter Brown about 150 crime stories, with sales in the tens, perhaps hundreds of millions of copies. His last books appeared in the early 1980's. All the stories were set in the Unites States, but he never became there so well-known as in Europe. Yates's novels had light atmosphere and his heroes could deliver more wise-guy remarks than Robert B. Parker's famous private detective Spencer.
Alan Geoffrey Yates was born in London and educated at schools in Essex. From 1942 to 1946 he served in the Royal Navy as a lieutenant. After the war he worked as a sound recordist at Gaumont-British Films for two years and moved to Australia in 1948. In the same year he became an Australian citizen. Before devoting himself entirely to writing from 1953, Yates was a salesman in Sydney and a public relations staff member at Quatas Empire Airways. His early books were intended only for Australian audience, but when Carter Brown series was picked up by the New American Library, he found readers also in the United States.
The Brown books were fast paced, they had humor and action, and several corpses, although not much violence. Women are gorgeous, and the story is usually set among the rich and glamorous. A typical Carter Brown story did not take itself too seriously - it was a mixture of sex, action, and humor. Yates's female hero was the curvaceous private detective Mavis Seidlitz, whose feminine weapons are more developed than her mental capacities. Petri Liukkonen (author)
The Carter Brown Mystery Hour was based on his best selling novels and are introduced by Carter Brown himself.
10-2-4 Ranch
.
A syndicated radio show during World War II called “The 10-2-4 Ranch” (later, “10-2-4 Time”), aired in the South and other areas to which Dr. Pepper’s distribution had extended. The show featured the Sons of the Pioneers.
Dr Pepper was identified with the slogan, "King of Beverages." "Old Doc," a typical country doctor character with monocle and top hat, became the Dr Pepper trademark character in the 1920s and 1930s. During that era, research was discovered proving that sugar provided energy and that the average person experiences a letdown during the normal day at 10:30a.m., 2:30p.m. and 4:30p.m. A contest was held for the creation of an ad using this new information. The winner of the ad campaign came up with the famous advertising slogan, "Drink a bite to eat at 10, 2, and 4." Dr Pepper Museum
To play or download a single file just click on it, this opens up play page. Then click on any file to play and download link for selection is at bottom right of page. Zip file is under miscellaneous.
A syndicated radio show during World War II called “The 10-2-4 Ranch” (later, “10-2-4 Time”), aired in the South and other areas to which Dr. Pepper’s distribution had extended. The show featured the Sons of the Pioneers.
Dr Pepper was identified with the slogan, "King of Beverages." "Old Doc," a typical country doctor character with monocle and top hat, became the Dr Pepper trademark character in the 1920s and 1930s. During that era, research was discovered proving that sugar provided energy and that the average person experiences a letdown during the normal day at 10:30a.m., 2:30p.m. and 4:30p.m. A contest was held for the creation of an ad using this new information. The winner of the ad campaign came up with the famous advertising slogan, "Drink a bite to eat at 10, 2, and 4." Dr Pepper Museum
To play or download a single file just click on it, this opens up play page. Then click on any file to play and download link for selection is at bottom right of page. Zip file is under miscellaneous.
Whistler, The
.
The Whistler is one of American radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955.The Whistler was the most popular West Coast-originated program with its listeners for many years. It was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler."
Each episode of The Whistler began with the sound of footsteps and a person whistling.[1] (The Saint radio series with Vincent Price used a similar opening.) The haunting signature theme tune was composed by Wilbur Hatch and featured Dorothy Roberts performing the whistling with the orchestra.
The stories followed an effective formula in which a person's criminal acts were typically undone by either an overlooked but important detail or their own stupidity, except on some rare occasions when a curious twist of fate caused the story to end happily for the episode's protagonist. Ironic twist endings were a key feature of each episode of the series. The Whistler himself narrated, often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.
Bill Forman had the title role of host and narrator. Others who portrayed the Whistler at various times were Gale Gordon, Joseph Kearns, Marvin Miller (announcer for The Whistler and The Bickersons and, later, Michael Anthony on TV's The Millionaire), Bill Johnstone (who had the title role on radio's The Shadow from 1938 to 1943) and Everett Clarke. Cast members included Hans Conried, Joseph Kearns, Cathy Lewis, Elliott Lewis, Gerald Mohr, Lurene Tuttle and Jack Webb.
Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, of which over 200 no longer have copies in existence. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer.
Each episode of The Whistler began with the sound of footsteps and a person whistling.[1] (The Saint radio series with Vincent Price used a similar opening.) The haunting signature theme tune was composed by Wilbur Hatch and featured Dorothy Roberts performing the whistling with the orchestra.
The stories followed an effective formula in which a person's criminal acts were typically undone by either an overlooked but important detail or their own stupidity, except on some rare occasions when a curious twist of fate caused the story to end happily for the episode's protagonist. Ironic twist endings were a key feature of each episode of the series. The Whistler himself narrated, often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.Bill Forman had the title role of host and narrator. Others who portrayed the Whistler at various times were Gale Gordon, Joseph Kearns, Marvin Miller (announcer for The Whistler and The Bickersons and, later, Michael Anthony on TV's The Millionaire), Bill Johnstone (who had the title role on radio's The Shadow from 1938 to 1943) and Everett Clarke. Cast members included Hans Conried, Joseph Kearns, Cathy Lewis, Elliott Lewis, Gerald Mohr, Lurene Tuttle and Jack Webb.
Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, of which over 200 no longer have copies in existence. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer.
Thursday, October 8, 2009
Detectives Black And Blue
.
The exploits of shipping clerks named Black and Blue who take a correspondence course and open a detective agency "and promptly set the art of detection back 40 years." The show aired from 1933-1935.
The exploits of shipping clerks named Black and Blue who take a correspondence course and open a detective agency "and promptly set the art of detection back 40 years." The show aired from 1933-1935.
Sunday, October 4, 2009
Dead Of Night Radio (New Drama - Horror Podcast)
.
Turn off the lights. Lock your doors. It's... the Dead of Night!
Dead Of Night Radio (website) is a new radio podcast done in the tradition of the old time radio horror shows like "The Witch's Tale" and "Inner Sanctum."
Monday, September 28, 2009
Jonathan Thomas and His Christmas on the Moon (OTRR Certified)
.
Jonathan Thomas and His Christmas on the Moon is a daily children’s series that ran between Thanksgiving and Christmas in 1938. The story begins with six year old Jonathan Thomas lying in bed on Christmas Eve with his teddy bear Guz. While he is lying in bed, two elves slide down a moonbeam into his room. Guz, his teddy bear, chases the elves back up the moonbeam and Jonathan Thomas follows in order to get his Guz back.
Upon reaching the moon, Jonathan Thomas meets the Man in the Moon and his horse Gorgonzola. After being accused of kidnapping Santa Claus, the troop is commanded to bring back him in time for Christmas.
On their adventure, they confront an evil witch, a dragon with thirteen tales, and they meet several characters from the Lewis Carol classic: Alice in Wonderland.
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Jonathan Thomas and His Christmas on the Moon is a daily children’s series that ran between Thanksgiving and Christmas in 1938. The story begins with six year old Jonathan Thomas lying in bed on Christmas Eve with his teddy bear Guz. While he is lying in bed, two elves slide down a moonbeam into his room. Guz, his teddy bear, chases the elves back up the moonbeam and Jonathan Thomas follows in order to get his Guz back.
Upon reaching the moon, Jonathan Thomas meets the Man in the Moon and his horse Gorgonzola. After being accused of kidnapping Santa Claus, the troop is commanded to bring back him in time for Christmas.
On their adventure, they confront an evil witch, a dragon with thirteen tales, and they meet several characters from the Lewis Carol classic: Alice in Wonderland.
Earplay(NPR)
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Earplay was the longest-running of the formal series of radio drama anthologies on National Public Radio, heard from 1972 into the 1990s. It approached radio drama as an art form with scripts written by such leading playwrights as Edward Albee, Arthur Kopit, Archibald MacLeish and David Mamet.
Airing in stereo, Earplay provided a showcase for original and adapted work. Eventually, the less-sustained successor series NPR Playhouse drew episodes from the Earplay run. Often presented by NPR member stations on a weekly basis, Earplay episodes were produced with much attention to recording technique and sound-effects.
In 1975, it scored a triumph with Listening, an original play written by Edward Albee for stereo radio, employing one speaker for one character and another speaker for another character. Since both characters are seated in a room, the illusion is created that they are in the same room as the listener. After its premiere on radio, Listening was later performed on stage.
Earplay was the longest-running of the formal series of radio drama anthologies on National Public Radio, heard from 1972 into the 1990s. It approached radio drama as an art form with scripts written by such leading playwrights as Edward Albee, Arthur Kopit, Archibald MacLeish and David Mamet.
Airing in stereo, Earplay provided a showcase for original and adapted work. Eventually, the less-sustained successor series NPR Playhouse drew episodes from the Earplay run. Often presented by NPR member stations on a weekly basis, Earplay episodes were produced with much attention to recording technique and sound-effects.
In 1975, it scored a triumph with Listening, an original play written by Edward Albee for stereo radio, employing one speaker for one character and another speaker for another character. Since both characters are seated in a room, the illusion is created that they are in the same room as the listener. After its premiere on radio, Listening was later performed on stage.
- Earplay 76-12-12 (x) Another Visit with John Howard Griffin.mp3
- Earplay 77-01-16 (x) The Maze by Stewart Ferrar.mp3
- Earplay 77-01-23 (x) The Midnight Mocker by Leo Goldman.mp3
- Earplay 77-02-13 (x) Crime and Punishment by Dostoevski - Part 1.mp3
- Earplay 77-02-20 (x) Crime and Punishment by Dostoevski - Part 2.mp3
- Earplay 77-02-27 (x) Crime and Punishment by Dostoevski Part 3.mp3
- Earplay 77-03-06 (x) The Grappling Court by David Kranes.mp3
- Earplay 77-03-20 (x) Good Causes by Gamble Rogers.mp3
- Earplay 78-01-01 (x) Wings by Aurthur Kopit.mp3
- Earplay 78-01-08 (x) The Tempation Game by John Gardner.mp3
- Earplay 78-01-15 (x) The Water Engine by David Mamet.mp3
- Earplay 78-01-22 (x) Dancin to the Calliope by Jack Gilhooley.mp3
- Earplay 78-01-29 (x) The Lesson of the Master by Richard Howard.mp3
- Earplay 78-02-05 (x) The Last Phone-In by Keith Waterhouse.mp3
- Earplay 78-02-12 (x) Porch by Jack Hefner.mp3
- Earplay 78-02-18 (x) Girls of the Golden West by Ann Leeton.mp3
- Earplay 78-02-26 (x) American Modern by Joanna M Glass.mp3
- Earplay 78-03-05 (x) Death of a Pig by John Kirkmorris.mp3
- Earplay 78-03-12 (x) A Phoenix Too Frequent.mp3
- Earplay 78-03-19 (x) The Disintegration of Aaron Weiss by Mark Medoff.mp3
- Earplay 78-03-26 (x) Chinaman's Chance by Roy London.mp3
- Earplay 78-04-02 (x) Judgement Part 1.mp3
- Earplay 78-04-09 (10) Judgement ( Part 2).mp3
- Earplay 78-04-16 (x) The Sun City Chronicles.mp3
- Earplay 78-04-30 (x) A Game of Dice by Dimitri Kehaidis.mp3
- Earplay 78-05-14 (x) Stones by Shirley Gee.mp3
- Earplay 78-05-22 (x) Murder Therapy by David Kranes.mp3
- Earplay 78-05-29 (x) The Dissolution of Marcus Fleishman by Stephen David.mp3
- Earplay 78-06-04 (x) The General Brutus by Jeff Wonshell.mp3
- Earplay 78-06-11 (x) Priest Penitent by Wally K Daly.mp3
- Earplay 78-06-18 (x) The Hunter Gracchus by John Robinson.mp3
- Earplay 78-07-09 (x) J B by Archibald Macleish.mp3
- Earplay 78-08-13 (x) My Name Is Bird Mc Kai by Anne Leaton.mp3
- Earplay 79-01-07 (x) I Never Sang for My Father by Robert Anderson.mp3
- Earplay 79-01-14 (x) Fire in the Hole by Tim Obrian.mp3
- Earplay 79-01-21 (x) Custer by Robert Ingham.mp3
- Earplay 79-01-28 (x) Stevie by Hugh Whitmore.mp3
- Earplay 79-02-04 (x) Earplay - Stuffings by James Purdo - I Hope I Never Get to Monmouth by Kay Kinion.mp3
- Earplay 79-04-29 (x) A Question of Benefit by Dave Simpson.mp3
- Earplay 79-05-06 (x) Third and Oak - The Laundomat by Marsha Norman.mp3
- Earplay 79-05-13 (x) Third and Oak - The Pool Hall by Marsha Norman.mp3
- Earplay 79-05-27 (x) Thaw by Michael Kennedy.mp3
- Earplay 79-05-30 (x) Cold Earth Travelling by Mike Walker.mp3
- Earplay 79-06-10 (x) Tthe Dog in the Alley - The Child in the Sky by John Irving - The Lie by John Antrobu.mp3
- Earplay 79-06-17 (x) Monk by John Kirkmorris.mp3
- Earplay 79-06-24 (x) Sweet Potatoes by Rochelle Owens - Station to Station by Peter Mc Nichol.mp3
- Earplay 80-01-13 (x) Middleman out by Dick Riley.mp3
- Earplay 80-01-20 (x) In Camera by Robert Pinger.mp3
- Earplay 80-01-27 (x) Lone Star by James Mc Lure.mp3
- Earplay 80-02-17 (x) The Deerslayer by John Ghem.mp3
- Earplay 80-03-02 (x) The Stolen Jew by Jay Neugeboren.mp3
- Earplay 80-03-09 (x) Canadian Gothic by Joanna Glass.mp3
- Earplay 80-03-23 (x) Hotdogs and Soda Pop by Thomas Babe.mp3
- Earplay 80-03-30 (x) Holidays - a Quartet of Plays.mp3
- Earplay 80-04-13 (x) Beggar's Choice by Kathleen Betsko.mp3
- Earplay 80-04-20 (x) Private Wars by James Mc Lure.mp3
- Earplay 80-04-27 (x) The Desert by Janet Niepris.mp3
- Earplay 80-05-25 (x) Kennedy's Children by Robert Patrick.mp3
- Earplay 80-06-01 (x) Children of the Night by Neil Bell.mp3
- Earplay 80-06-08 (x) The Blood Jet - Portrait of Sylvia Plath by Barry Kyle.mp3
- Earplay 80-06-15 (x) Great Days - Three Dialogues by Donald Barthelme.mp3
- Earplay 80-06-22 (x) Right Between the Ears by Dudley Riggs.mp3
- Earplay 80-06-29 (x) Anything You Want to by the Firesign Theater.mp3
- Earplay 80-07-13 (x) Giving up by J C W Brook - Falling by Jonathan Baban.mp3
- Earplay 80-07-20 (x) Korsakov's Psychosis by Geoffrey Parkinson.mp3
- Earplay 80-07-27 (x) Fate of a Cockroach by Tewfik a L-Hakim.mp3
- Earplay 80-08-10 (x) Don't Be Cruel by Rose Tremain.mp3
- Earplay 80-08-17 (x) Hope by David Cregan.mp3
- Earplay 80-08-24 (x) Nightingale's Defense by Peter Whalley.mp3
- Earplay xx-xx-xx (21) The Party.mp3
Sunday, September 27, 2009
Key, The
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The Key was a mystery series from Australia that aired in the mid 1950's. Not much is known about the series. There was an ad in the ABC Weekly 11 Dec 1957 and it named the scriptwriter as James Workman who is known as a pulp writer.
James Workman was educated in England and trained as a naval cadet. He spent three years in the London Metropolitan Police. Moving to South Africa, Workman enlisted with the Witwatersand Rifles and later joined a touring theatre company. He worked for the South African Broadcasting Commission as an announcer, scriptwriter and producer, occupations he continued to pursue after his move to Australia.
Titles with episode numbers
ep03 The Cellar
ep04 Alexis
ep11 Big Time Hoodlum
ep12 Close Shave
ep16 Seppi & Pancho
ep20 Years later
ep21 Showgirl Murdered
ep22 Sword Swallower
ep29 Robber Murdered
ep30 Two-timed
ep34 The Moon or bust
ep35 Escape Artist
ep37 93 year old man
ep38 Suicide
ep39 Gentleman Companion
ep42 Night prowler
ep43 Bank Robbery
ep51 The Ghost
Titles without episode numbers
Child Murderer
Dear John Letter
Extension of Time
Ghostly Organ
Grandpop
Lost in the Amazon
Playing Chicken
Subconscious Experiment
The Archeologist
The Deception
The Embezzler
Union Corruption
What happens when you die
Window Cleaner
Woman Beater
Woman Murdered.
The Key was a mystery series from Australia that aired in the mid 1950's. Not much is known about the series. There was an ad in the ABC Weekly 11 Dec 1957 and it named the scriptwriter as James Workman who is known as a pulp writer.
James Workman was educated in England and trained as a naval cadet. He spent three years in the London Metropolitan Police. Moving to South Africa, Workman enlisted with the Witwatersand Rifles and later joined a touring theatre company. He worked for the South African Broadcasting Commission as an announcer, scriptwriter and producer, occupations he continued to pursue after his move to Australia.
Titles with episode numbers
ep03 The Cellar
ep04 Alexis
ep11 Big Time Hoodlum
ep12 Close Shave
ep16 Seppi & Pancho
ep20 Years later
ep21 Showgirl Murdered
ep22 Sword Swallower
ep29 Robber Murdered
ep30 Two-timed
ep34 The Moon or bust
ep35 Escape Artist
ep37 93 year old man
ep38 Suicide
ep39 Gentleman Companion
ep42 Night prowler
ep43 Bank Robbery
ep51 The Ghost
Titles without episode numbers
Child Murderer
Dear John Letter
Extension of Time
Ghostly Organ
Grandpop
Lost in the Amazon
Playing Chicken
Subconscious Experiment
The Archeologist
The Deception
The Embezzler
Union Corruption
What happens when you die
Window Cleaner
Woman Beater
Woman Murdered
Johnny Madero, Pier 23
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Mystery series about a part-time private eye who ran a boat supply business out of Pier 23 along the Embarcadero in San Francisco's waterfront. This series ran from 4/24/47 to 9/4/47 on Mutual at 8pm on Thursdays and starred Jack Webb.
Mystery series about a part-time private eye who ran a boat supply business out of Pier 23 along the Embarcadero in San Francisco's waterfront. This series ran from 4/24/47 to 9/4/47 on Mutual at 8pm on Thursdays and starred Jack Webb.
Saturday, September 26, 2009
Crime Does Not Pay
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First Show: Oct 10, 1949
Last Show: Apr 11, 1951
Number Shows: 78
CRIME DOES NOT PAY was a series based on short films of the same name produced by Metro-Goldwyn-Mayer. It was similar to Gangbusters, having a moralistic message about the law and lawbreaker. It was first heard over WMGM (NYC), hosted by Donald Buka. The last original show aired on Apr. 11, 1951.
The series started on Monday evenings at 7:30 PM (on WMGM) and held that time/day spot until Oct. 30, 1950. The 56'th show marked a change to Wednesday night, again at 7:30. After show number 78 (Apr. 11, 1951) the shows were repeated, starting with the first, "Kid With a Gun". The repeats followed the original order up until repeat of number 26, "Ingenious Woman" on Oct. 10, 1951. Repeats were not uncommon. Even before the last original show, older shows were repeated on alternate dates to the main series run.
On Jan. 7, 1952, the series moved to Mutual but lasted just one year. Only repeats of the original series were aired and show ordering did not match the first run. The show was heard on Dec. 22, 1952.
First Show: Oct 10, 1949
Last Show: Apr 11, 1951
Number Shows: 78
CRIME DOES NOT PAY was a series based on short films of the same name produced by Metro-Goldwyn-Mayer. It was similar to Gangbusters, having a moralistic message about the law and lawbreaker. It was first heard over WMGM (NYC), hosted by Donald Buka. The last original show aired on Apr. 11, 1951.
The series started on Monday evenings at 7:30 PM (on WMGM) and held that time/day spot until Oct. 30, 1950. The 56'th show marked a change to Wednesday night, again at 7:30. After show number 78 (Apr. 11, 1951) the shows were repeated, starting with the first, "Kid With a Gun". The repeats followed the original order up until repeat of number 26, "Ingenious Woman" on Oct. 10, 1951. Repeats were not uncommon. Even before the last original show, older shows were repeated on alternate dates to the main series run.
On Jan. 7, 1952, the series moved to Mutual but lasted just one year. Only repeats of the original series were aired and show ordering did not match the first run. The show was heard on Dec. 22, 1952.
Log Comments:
Besides the broadcast dates shown in the log below, catalogs listed
broadcast dates one day after the dates in the log frequently. This
may be because the shows may have been broadcast on different days
in different parts of the country. An alphabetical list follows the
chronological log.
Chronological Log:
Date Num Title Star Avail
------------ --- ------------------------------- ----------- -----
... Mondays 7:30 PM ...
Oct 10, 1949 1 "Kid With a Gun" yes
Oct 17, 1949 2 "All-American Fake" S.Blackmer yes
Oct 24, 1949 3 "Death is a Song" Margo
Oct 31, 1949 4 "Kid Twist" W.Prince
Nov 07, 1949 5 "Trigger Man's Moll" N.Kelly yes
Nov 14, 1949 6 "Body of the Crime" P.Fennelly yes
Nov 21, 1949 7 "Summertime Take" C.Korvin yes
Nov 28, 1949 8 "Female of the Species" K.Lynch yes
Dec 05, 1949 9 "A Piece of Rope" C.Mitchell yes
Dec 12, 1949 10 "Gasoline Cocktail" B.Lugosi yes
Dec 19, 1949 11 "Dead Pigeon" M.McCormick yes
Dec 26, 1949 12 "Glossy Finish" M.Gabel yes
Jan 02, 1950 13 "Clothes Make the Woman" J.Muir yes
Jan 09, 1950 14 "Law of the Jungle" A.Baxter yes
Jan 16, 1950 15 "Speech is Silver"
Jan 23, 1950 16 "Devil in the Dar" H.Dantine
Jan 30, 1950 17 "The Snatcher"
Feb 06, 1950 18 "Kid Sister" M.Hunt
Feb 13, 1950 19 "For He's a Jolly Good Fellow" J.Beal yes
Feb 20, 1950 20 "Death on the Doorstep" yes
Feb 27, 1950 21 "Kangaroo Court" R.Derr yes
Mar 06, 1950 22 "What's in a Name" yes
Mar 13, 1950 23 "Death on Blake Street" yes
Mar 20, 1950 24 "Man Who Never Was Caught" yes
Mar 27, 1950 25 "Thick As Thieves" E.Sloan yes
Apr 03, 1950 26 "Ingenious Woman" B.O'Niel yes
Apr 10, 1950 27 "The Bagman" T.Keith
Apr 17, 1950 28 "The Rum Runner"
Apr 24, 1950 29 "Visiting Fireman" A.Whelan
May 01, 1950 30 "Six, Two and Seven" A.Ryder
May 08, 1950 31 "Don't Write, Telephone" J.LaRue yes
May 15, 1950 32 "Between Dark and the Daylight" L.Stander yes
May 22, 1950 33 "Second Hand Pistols" R.Colman yes
May 29, 1950 34 "Imported Headache" yes
Jun 05, 1950 35 "Fishmongers Fortune" G.Reeves
Jun 12, 1950 36 "Short Circuit"
Jun 19, 1950 37 "Clip Joint" yes
Jun 26, 1950 38 "Professor Pulls the Switch" J.Loder yes
Jul 03, 1950 39 "The Lady Loves Kittens" A.Lee yes
Jul 10, 1950 40 "Once Too Often" yes
Jul 17, 1950 41 "Burglar Alarm" B.Furness yes
Jul 24, 1950 42 "Horseshoes Are For Buck" N.Hamilton yes
Jul 31, 1950 43 "Beauty and the Beast" E.Sloan yes
Aug 07, 1950 44 "Giddyap Horsie" R.Webb yes
Aug 14, 1950 45 "The Gangster Was a Lady" yes
Aug 21, 1950 46 "Murder Makes Book" J.Wiseman yes
Aug 28, 1950 47 "Father's Day" R.Hart yes
Sep 04, 1950 48 "The Weak Spot" yes
Sep 11, 1950 49 "Horse Face" yes
Sep 18, 1950 50 "They Gotta Have What to Eat?" H.MacMahon yes
Sep 25, 1950 ... no show ...
Oct 02, 1950 51 "Sucker's Bait" E.Bagley
Oct 09, 1950 52 "Riggers Racket"
Oct 16, 1950 53 "Voice of Death" J.Loder yes
Oct 23, 1950 54 "The Recruit" yes
Oct 30, 1950 55 "Escort For Hire" yes
... Wednesdays 7:30 PM ...
Nov 08, 1950 56 "The Big Book" D.Curtis yes
Nov 15, 1950 57 "Mow the Man" W.Wilson yes
Nov 22, 1950 58 "The Celluloid Candle" R.Forbes yes
Nov 29, 1950 59 "The Doll" S.Haden yes
Dec 06, 1950 60 "Kid Shive" D.Moore yes
Dec 13, 1950 61 "Two Gun Annie" J.Lorring yes
Dec 20, 1950 62 "Strange Token" M.Carnovsky yes
Dec 27, 1950 63 "Building Blocks" R.Dere yes
Jan 03, 1951 64 "Death on the Upgrade" D.Woods yes
Jan 10, 1951 65 "Edge of the Desert" H.Woods yes
Jan 17, 1951 66 "Cards and Spades" S.Douglas yes
Jan 24, 1951 67 "The Old Mob Goes" I.Kieth yes
Jan 31, 1951 68 "Love is not All" R.Forbes yes
Feb 07, 1951 69 "Heir Apparent" P.Reed yes
Feb 14, 1951 70 "Carnival Frail" D.Barrymore yes
Feb 21, 1951 71 "Rough Customer" J.Shelton yes
Feb 28, 1951 72 "For Sweet Charity" R.Brent yes
Mar 07, 1951 73 "Operation Payroll" H.Vermelyea yes
Mar 14, 1951 74 "Diamond Trumped" R.Meeker yes
Mar 21, 1951 75 "Through the Hoop" U.O'Conner yes
Mar 28, 1951 76 "Plug-Ugly" E.Ryan yes
Apr 04, 1951 77 "Front, Boy" B.Fletcher yes
Apr 11, 1951 78 "Violets, Sweet Violets" R.Lowery yes
Alphabetical List:
Title Date Num
------------------------------- -------- ---
All-American Fake 49-10-17 2
Bagman, The 50-04-10 27
Beauty and the Beast 50-07-31 43
Between Dark and the Daylight 50-05-15 32
Big Book, The 50-11-08 56
Body of the Crime 49-11-14 6
Building Blocks 50-12-27 63
Burglar Alarm 50-07-17 41
Cards and Spades 51-01-17 66
Carnival Frail 51-02-14 70
Celluloid Candle, The 50-11-22 58
Clip Joint 50-06-19 37
Clothes Make the Woman 50-01-02 13
Dead Pigeon 49-12-19 11
Death is a Song 49-10-24 3
Death on Blake Street 50-03-13 23
Death on the Doorstep 50-02-20 20
Death on the Upgrade 51-01-03 64
Devil in the Dar 50-01-23 16
Diamond Trumped 51-03-14 74
Doll, The 50-11-29 59
Don't Write, Telephone 50-05-08 31
Edge of the Desert 51-01-10 65
Escort For Hire 50-10-30 55
Father's Day 50-08-28 47
Female of the Species 49-11-28 8
Fishmongers Fortune 50-06-05 35
For He's a Jolly Good Fellow 50-02-13 19
For Sweet Charity 51-02-28 72
Front, Boy 51-04-04 77
Gangster Was a Lady, The 50-08-14 45
Gasoline Cocktail 49-12-12 10
Giddyap Horsie 50-08-07 44
Glossy Finish 49-12-26 12
Heir Apparent 51-02-07 69
Horse Face 50-09-11 49
Horseshoes Are For Buck 50-07-24 42
Imported Headache 50-05-29 34
Ingenious Woman 50-04-03 26
Kangaroo Court 50-02-27 21
Kid Shive 50-12-06 60
Kid Sister 50-02-06 18
Kid Twist 49-10-31 4
Kid With a Gun 49-10-10 1
Lady Loves Kittens, The 50-07-03 39
Law of the Jungle 50-01-09 14
Love is not All 51-01-31 68
Man Who Never Was Caught 50-03-20 24
Mow the Man 50-11-15 57
Murder Makes Book 50-08-21 46
Old Mob Goes, The 51-01-24 67
Once Too Often 50-07-10 40
Operation Payroll 51-03-07 73
Piece of Rope, A 49-12-05 9
Plug-Ugly 51-03-28 76
Professor Pulls the Switch 50-06-26 38
Recruit, The 50-10-23 54
Riggers Racket 50-10-09 52
Rough Customer 51-02-21 71
Rum Runner, The 50-04-17 28
Second Hand Pistols 50-05-22 33
Short Circuit 50-06-12 36
Six, Two and Seven 50-05-01 30
Snatcher, The 50-01-30 17
Speech is Silver 50-01-16 15
Strange Token 50-12-20 62
Sucker's Bait 50-10-02 51
Summertime Take 49-11-21 7
They Gotta Have What to Eat? 50-09-18 50
Thick As Thieves 50-03-27 25
Through the Hoop 51-03-21 75
Trigger Man's Moll 49-11-07 5
Two Gun Annie 50-12-13 61
Violets, Sweet Violets 51-04-11 78
Visiting Fireman 50-04-24 29
Voice of Death 50-10-16 53
Weak Spot, The 50-09-04 48
What's in a Name 50-03-06 22
19 Nocturne Boulevard
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19 Nocturne Boulevard is an awesome Audio Drama anthology series, presenting half hour tales of terror, suspense, humor, and madness, in the grand tradition of such classic radio shows as Lights' Out, Quiet Please, and more recent TV shows like The Twilight Zone and Tales from the Crypt.
View: 19 Nocturne Boulevard
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19 Nocturne Boulevard is an awesome Audio Drama anthology series, presenting half hour tales of terror, suspense, humor, and madness, in the grand tradition of such classic radio shows as Lights' Out, Quiet Please, and more recent TV shows like The Twilight Zone and Tales from the Crypt.
View: 19 Nocturne Boulevard
.
Curtain Time
.
Curtain Time had two separate runs on radio. The fist run was sponsored by General Mills from 1937 to 1939 and the second aired from 1945 to 1950, sponsored by the Mars Candy Co.
Interesting is that this romantic drama had a theater setting and announcements with the announcer shouting "tickets please". Many of the episodes were romantic stories where a boy meets his dream girl and what happens afterwards.
Announcer for the series was Harry Halcomb who was later known best for his appearances on the 60 minutes television show.
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Curtain Time had two separate runs on radio. The fist run was sponsored by General Mills from 1937 to 1939 and the second aired from 1945 to 1950, sponsored by the Mars Candy Co.
Interesting is that this romantic drama had a theater setting and announcements with the announcer shouting "tickets please". Many of the episodes were romantic stories where a boy meets his dream girl and what happens afterwards.
Announcer for the series was Harry Halcomb who was later known best for his appearances on the 60 minutes television show.
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Friday, September 25, 2009
Defense Attorney
Defense Attorney ran from 1951 to 1952 and starred Denise McCambridge as Martha Ellis Bryant, defense attorney who would go out of her way to prove their innocence if they were innocent.
Tuesday, September 15, 2009
Mercury Theater
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THE MERCURY THEATER ON THE AIR was first heard as a Summer series of nine shows, on CBS affiliated stations and in Canada on the CBC. It was the first time a theater company brought drama to the radio. The shows featured hour-long dramatizations of classic books. It was produced and directed by Orson Welles, who also acted in the main roles, probably one of the most versatile and creative talents in the history of entertainment.
When the Summer series ended with "The Man Who Was Thursday" on Sept. 5, 1938, CBS continued to sustain the series, until Dec. 4 of that year. It was during this time that the best known show from this series, in fact, the best known radio show in radio's history, was broadcast, the radio adaptation of H.G. Wells' "The War of the Worlds".
The series didn't end on Dec. 4. At the conclusion of the Nov. 6 show, Mr. Welles announced that the Campbell's Soup Company would become sponsor. The series changed its name to THE CAMPBELL PLAYHOUSE and moved from Sunday to Friday. On December 9, 1938, the first show of the new series aired on Friday at 8:00 PM.
The same creative staff stayed on, but the show had a different flavor under sponsorship. This was partially due to a guest star policy which relegated the Mercury Players to supporting roles. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and Houseman, who became more like an employee than a partner. The primary writer, as during the unsponsored run, was Howard Koch.
On June 7, 1946, The Mercury Theater made one last appearence on radio. This was for a Summer series, THE MERCURY SUMMER THEATER. Unlike the 1938 Summer series, these shows were only 30 minutes in length. Compare titles to the other Orson Welles series. Six shows were 30 minute versions of shows of 1938. "I'm a Fool", one story of two in the broadcast of August 23, was also used in 1938. A total of 15 shows were broadcast.
You'll also find one of the best-remembered shows in this series, "The Hitchhiker". First done in 1941 in the Mercury Theater series, this show appeared in SUSPENSE, on September 2, 1942 and even stared Orsen Welles. It appears in many OTR "must-have" lists.
THE MERCURY THEATER ON THE AIR was first heard as a Summer series of nine shows, on CBS affiliated stations and in Canada on the CBC. It was the first time a theater company brought drama to the radio. The shows featured hour-long dramatizations of classic books. It was produced and directed by Orson Welles, who also acted in the main roles, probably one of the most versatile and creative talents in the history of entertainment.When the Summer series ended with "The Man Who Was Thursday" on Sept. 5, 1938, CBS continued to sustain the series, until Dec. 4 of that year. It was during this time that the best known show from this series, in fact, the best known radio show in radio's history, was broadcast, the radio adaptation of H.G. Wells' "The War of the Worlds".
The series didn't end on Dec. 4. At the conclusion of the Nov. 6 show, Mr. Welles announced that the Campbell's Soup Company would become sponsor. The series changed its name to THE CAMPBELL PLAYHOUSE and moved from Sunday to Friday. On December 9, 1938, the first show of the new series aired on Friday at 8:00 PM.
The same creative staff stayed on, but the show had a different flavor under sponsorship. This was partially due to a guest star policy which relegated the Mercury Players to supporting roles. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and Houseman, who became more like an employee than a partner. The primary writer, as during the unsponsored run, was Howard Koch. On June 7, 1946, The Mercury Theater made one last appearence on radio. This was for a Summer series, THE MERCURY SUMMER THEATER. Unlike the 1938 Summer series, these shows were only 30 minutes in length. Compare titles to the other Orson Welles series. Six shows were 30 minute versions of shows of 1938. "I'm a Fool", one story of two in the broadcast of August 23, was also used in 1938. A total of 15 shows were broadcast.
You'll also find one of the best-remembered shows in this series, "The Hitchhiker". First done in 1941 in the Mercury Theater series, this show appeared in SUSPENSE, on September 2, 1942 and even stared Orsen Welles. It appears in many OTR "must-have" lists.
Saturday, September 12, 2009
Tuesday, September 8, 2009
Strange Wills
- Strange Wills 46-01-15 Audition and Sales Presention.mp3
- Strange Wills 46-06-08 (01) The Mad Concerto.mp3
- Strange Wills 46-06-15 (02) Alias Doctor Svengali.mp3
- Strange Wills 46-06-22 (03) Black Interlude.mp3
- Strange Wills 46-06-29 (04) The Lady and the Pirate.mp3
- Strange Wills 46-07-06 (05) Prince of Broadway.mp3
- Strange Wills 46-07-13 (06) Treasure to Starboard.mp3
- Strange Wills 46-07-20 (07) One Shining Night.mp3
- Strange Wills 46-07-27 (08) Midnight on the Moor.mp3
- Strange Wills 46-08-03 (09) Seven Flights to Glory.mp3
- Strange Wills 46-08-10 (10) The Girl from Shadowland.mp3
- Strange Wills 46-08-17 (11) Madman's Diary.mp3
- Strange Wills 46-08-24 (12) Emeralds Come High.mp3
- Strange Wills 46-08-31 (13) Emily.mp3
- Strange Wills 46-09-07 (14) Margin for Love.mp3
- Strange Wills 46-09-14 (15) They Met in Monte Carlo.mp3
- Strange Wills 46-09-21 (16) The Girl in Cell 13.mp3
- Strange Wills 46-09-28 (17) So Deep the Stream.mp3
- Strange Wills 46-10-05 (18) The Miser's Gold.mp3
- Strange Wills 46-10-12 (19) East of Hudson's Bay.mp3
- Strange Wills 46-10-19 (20) Autograph Girl.mp3
- Strange Wills 46-10-26 (21) Penthouse Orphan.mp3
- Strange Wills 46-11-02 (22) Singapore Liz.mp3
- Strange Wills 46-11-09 (23) Crosswinds.mp3
- Strange Wills 46-11-16 (24) Dance Director.mp3
- Strange Wills 46-11-23 (25) Death Is My Destiny.mp3
- Strange Wills 46-11-30 (26) The Killer and the Saint.mp3
- Strange Wills 46-12-07 (27) Portsmouth Square.mp3
Monday, September 7, 2009
Inspector Thorne
.
NBC aired a British crime drama in 1951 called INSPECTOR THORNE that starred Karl Weber as the inspector. Danny Ocko played Police Sgt. Muggio. About 11 shows exist.
Fridays 9:00 - 9:30 pm till 9-6-51.............Then Thursdays 9:00 - 9:30 pm
The series was short-lived and also had two stars portraying the lead. The first was Karl Weber and the second was Staats Cotsworth.
NBC aired a British crime drama in 1951 called INSPECTOR THORNE that starred Karl Weber as the inspector. Danny Ocko played Police Sgt. Muggio. About 11 shows exist.
Fridays 9:00 - 9:30 pm till 9-6-51.............Then Thursdays 9:00 - 9:30 pm
The series was short-lived and also had two stars portraying the lead. The first was Karl Weber and the second was Staats Cotsworth.
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Times Past has no affiliation with Old Time Radio Researchers. Any related content is provided here as a convenience to our visitors and to make OTRR's work more widely known.
References: Old Time Radio Researchers Group, Wikipedia, Frank Passage & Others OTR Logs, Archive.org, Encyclopedia of Old-Time Radio by John Dunning, Australian Old Time Radio Group

























